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TOP альбомов исполнителя
"Smog"
"Smog"
название:
автор:
жанры: folk, singer-songwriter, indie, alt-country
альбомы: A River Ain't Too Much to Love
The Well
автор:
Smog
жанры: folk, singer-songwriter, indie, alt-country
альбомы: A River Ain't Too Much to Love
рейтинг: ★★★★★ / 5.1 / 1066 просмотров
- Текст
- Открытка с текстом
I could not work So I threw a bottle into the woods And then I felt bad For the doe paw And the rabbit paw So I went looking for the pieces Of the bottle that I threw Because I couldn’t work I went deep Further than i could throw And i came upon an old abandoned well All boarded over With a drip hanging from the bucket still Well I watched that drip but it would not drop I watched that drip but it would not drop I knew what I had to do Had to pull those boards off the well When I got the boards off I stared into the black black black And you know I had to yell Just to get my voice back I guess everybody has their own thing That they yell into a well I gave it a coupla hoots A hello And a fuck all y’all I guess everybody has their own thing That they yell into a well And as I stood like that Staring into the black black black I felt a cool wet kiss On the back of my neck Dang I knew if I stood up The drip would roll down my back Into no man’s land So I stayed like that Staring into the black black black Well they say black is all colours at once So I gave it my red rage my yellow streak The greenest parts of me And my blues I knew just what I had to do I had to turn around and go back And let that drip roll down my back And I felt so bad about that But wouldn’t you know When I turned to go Another drip was forming On the bottom of the bucket And I felt so good about that
Это интересно:Bill Callahan was born in Silver Spring Maryland Callahan came lo-fi genre of underground with home-made tape-albums recorded on four burners track tape later, he signed a record deal with label Drag City Callahan started out as a highly experimental artist who uses substandard instruments and tachograph His reasons for using lo-fi approach was not so much an aesthetic choice, but it came from his lack of knowledge of recording studios and the fear of giving up control to professional engineers His later work saw him overcome his fear of studios and producers and during this period he recorded two albums with the influential producer Jim O'Rourke and musicians draw circles around... продолжение
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